4/26: Theorizing the Web conference

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On Saturday, April 26th, Molly Crabapple will be speaking on “Tweeting From Amongst the Corpses”, a discussion about Jihadists in Syria and their use of social media. This is part of an hour-long panel on “Sex and the Selfie”. Her fellow panelists include Anne Burns, Ofer Nur, Apryl Williams and is presided by Rotem Rozental. The panel runs from 11:30am-12:45pm.

Theorizing the Web is an inter- and non-disciplinary annual conference that brings together scholars, journalists, artists, activists, and commentators to ask big questions about the interrelationships between the Web and society.

The conference is open to the public and attendance fees are by donation. You must register at http://theorizingtheweb.tumblr.com

April 26th, 2014
Windmill Studios
287 Kent Ave
Brooklyn, NY 11211
11:30am-12:45pm

Politico: George Bush’s Paintings Aren’t Funny

…the media loves Bush’s paintings. They’re ideal clickbait-kitsch from a boy who would grow into an adorable grandpa, without ever becoming an adult. Bush grins in his painting smock and we laugh. An art exhibit is the benign cherry on his lifetime sundae of fail. Some in the media even wonder if art is therapy for him. Is Bush haunted by what he has done?

I believe Bush paints because Bush can do anything. Every American dream, Bush got—an Ivy League education, running his own sports team, even the presidency. When each dream ended in failure, he grinned and moved on. Bush’s paintings are one more way of turning away from the past, just as he ignored the trail of blood Zaidi left as guards dragged him from the room.

Molly Crabapple for Politico, “George Bush’s Paintings Aren’t Funny”: http://www.politico.com/magazine/story/2014/04/george-bushs-paintings-arent-funny-105664.html#.U0y6PeZdVpc

Der Spiegel

There’s a feature on Molly in this week’s Der Spiegel by Mathieu von Rohr.  It’s solely available in German at the moment, but there’s a very nice quote from Salman Rushdie that says “Molly is an old-style bohemian with very contemporary political sensibilities. I’m very attracted by the fluidity and versatility of her line, and by her images’ mixture of sexiness, satire, and real anger about the state of things.”